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Fields of Prepositions Sesc Ipiranga

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[DIALOGUES / IPIRANGA]

'Involuntary works' from Sesc Ipiranga, Central Saint Martins Museum and Study Collection WITH Elizabeth Wright

[DIALOGUES / IPIRANGA]

Rappin' Hood

The rapper musician Rappin Hood talks about Ipiranga, his community, and the unequal spaces, but also about the coexistence of the neighborhood, in the plenary – part of the sound installation "Aparelhagem" [Rig] of the project Fields of Prepositions - Sesc Ipiranga, by O grupo inteiro (15/09 - 12/04/2016).

[DIALOGUES / IPIRANGA]

Conversation with Laymert Garcia dos Santos

Fragment of "Totalitarian Languages", a proposition by Laymert Garcia dos Santos presented at Casa do Povo, São Paulo, on November 12th, 2015, by Programa de Açoes Culturais Autonomas (vimeo.com/153449199 – thanks to: 7 Visões and P.A.C.A.). It was part of the sound installation "Aparelhagem" [Rig] of the project Fields of Prepositions - Sesc Ipiranga, by O grupo inteiro (15/09 - 12/04/2016).

Preposition "Independence or Death - The People" in process.
[DIALOGUES / IPIRANGA / MONUMENT]

Pedro Américo

“As a synthesis, a historical painting should be based on the truth, and replicate the essential sides of the fact; as an analysis, it should be based on a vast number of rationales that stem both from the weighing of plausible and probable circumstances, as well as a knowledge of the rules and conventions of art. Reality inspires, as oppose to enslave the painter. He is inspired by that which it holds worthy of public contemplation, but not enslaved by what it conceals against the designs of art, which often coincides with the designs of history.” Pedro Américo.
Reference: “The Cry of Ipiranga or The Proclamation of Independence of Brazil. A few words on the historical event and the celebratory painting by Doctor Pedro Américo de Figueiredo”, Florence, Tipografia Arte della Stampa, 1888. São Paulo University Paulista Museum Collection. BY Solange Lima.
Board 9 – Ipiranga Hill and Creek. Eduardo Canabrava Barreiros. The Itinerary of Independence. Brazilian Documents Collection n.151, Rio de Janeiro, José Olympio Publishing, 1972. p.148
[DIALOGUES / IPIRANGA / MONUMENT]

Ipiranga

IPIRANGA is an affluent of the Tamanduateí river, on the left shore, in the city of São Paulo. Its bank is historically known as the place where Dom Pedro, then Prince Regent, later Emperor of Brazil, gave the cry of Independence of Brazil on September 7, 1822. Ipiranga is a corruption, or rather, a contraction of the word IPI-RÁ-Ã-N-GA meaning “sloping and uneven bed”. From y – relative; PI – centre, deep; RÁ – uneven, unequal; Ã – slope, with the suffix N G A (brief) to form the supine.
Source: BARRO, Máximo and BACELLI, Roney. Ipiranga – Series: História dos bairros (The History of neighbourhoods). Department of Historical Heritage – Historical Archive Division, 1979.
[DIALOGUES / IPIRANGA]

Solange Lima

Solange Lima, director of the Paulista Museum - University of São Paulo, raises questions about the artist's imagination, the historical and current dimensions of the painting "Independência ou Morte" [Independence or Death], by Pedro Américo, which is today in the noble hall of the monument building of the Museu Paulista, in the Ipiranga neighborhood of São Paulo. Sesc Ipiranga. It was part of the sound installation "Aparelhagem" [Rig] of the project Fields of Prepositions - Sesc Ipiranga, by O grupo inteiro (15/09 - 12/04/2016).

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Fields of Prepositions
Sesc Ipiranga

from september 15th
to december 4th, 2016

Sesc Ipiranga
R. Bom Pastor, 822 | Map
CEP 04203-000. São Paulo SP
Phone +55 11 3340 2000
sescsp.org.br/ipiranga

Visitação
from September 15th to December 4th, 2016
Tuesday to Friday, from 7:30 am to 9 pm | Saturdays, 10 am to 9 pm | Sundays and Holidays, from 10 am to 6 pm

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